I am happy to announce that my graduation project will be presented from 22/04 to 27/04 in Milan design fair.
The glass products – recently baptized ‘seednest’ – can be seen in Gallery Romeo Gigli. A premiere for me, I will be showing one outcome of the thesis on its own, without the theoretical research and the other projects – as they are merely related to architecture rather than product design, this makes sense. 

I hope I will get to meet many interesting people there, and hopefully some who find my project interesting and like to give it a future. 

If you are visiting this website after having seen the exhibition, I would love to know your opinion. Truly, anything you like to talk about, be that in English, French, Italian, Dutch, Spanish or Swedish! So feel free to mail me at lemberthe@gmail.com

It all started on Amsterdam XMas market, where I was presenting my creations among a collective of young designers; the owner of DubbelGroen shop came to us and, interested in the seed nursery project, proposed me to have them on sale in his Amsterdam shop. So there they are, waiting for loving gardeners to adopt them and take care of the young sprouts.

Dear all,

I finally graduated as a ‘Master in Humanitarian Design and Sustainable Living’. The project met quite an audience, and I owe it to all of you who supported me or argued with me all along my research and design processes. As I am aware I have stopped communicating with most of you during the last months, when I was busy with the design part, I would like to give it back to you by showing here the outcome of this year.

As expected, the result is double ; a thesis that addresses most theoretical issues about the preservation of vegetal diversity, and leads to the possibility for design to implement a change within existing behaviours; and a design project that is a direct application of this research work.

To keep things as clear as possible, I post the complete thesis, as well as detailed information on the designs on specific pages. I want to use the end of this post to publish the presentation I gave on the day of my examination, and a few days later to the press. It briefly retraces my evolution, researches, inspirations and outcomes in a more digest way.

I wish all of you the very best, and thank you for supporting me along the year.

Régis

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Good morning.
My name is Régis Lemberthe, and I will tell you today about my work on the preservation of vegetal diversity. The way people try to control nature is maybe what surprised me the most when I arrived to the Netherlands; on the other hand, they try to bring nature into cities here more than in France where I come from. In Eindhoven, people go the urban farm, many have a garden, and some also go to the community garden, which is not far away.
Coming from a place where I can easily be surrounded by old trees, to another where I have to look for a bit of designed nature made me more attentive.

I would like to share this interest with you now.


I started researching on the preservation of vegetal diversity when hearing about Global Seed Vault, a seed bank that aims to save all seeds from the world. Its purpose is multiple : facing the extinction of species; developing future medicines; and engineering new varieties.


Yet something seemed wrong. Why should plants be kept in a sort of bank, when they would obviously be better protected in their original ecosystem ? Why wouldn’t local populations, who elaborated techniques and cultures specific to endemic species, be in charge of protecting their own patrimony ?


My first stages of research were oriented towards the relationship between people and plants, on both historical and political levels.


All populations have developed according to natural conditions. Most cultures are actually based on the use of plants, that religious metaphors aim to regulate.


People have been modeled by their environment, but they also contributed to modify it.
I find the story of carrots relevant; the orange bred we all consider original, is in fact a relatively new, man-made specie.

There are also a number of situations in which human development comes into conflict with natural processes.


Like many people, I thought this struggle between civilization and nature dates back to the industrial revolution. This is not entirely true. Long ago, the population of Easter Island logged all the trees to build boats. When there were no resources left, they couldn’t fish anymore, and the civilization declined.


The phenomenon is not new, yet actual productivism greatly contributes to fastening its evolution.

Most issues are of a political nature; governmental regulations that support overproduction, corporate policies that threaten both environment and the people who rely on its use. Although the reasons evoked to justify these are often seducing, they hardly ever reflect the reality.


Biopiracy, for instance, is the process of patenting traditional knowledge of the use of plants, depriving communities from any right to use their own techniques. Originally, patents aimed to encourage innovation.


GM crops communicate on their ability to feed a greater population, yet some seeds have been engineered sterile.


But it would be to easy to put all of the responsibility on industry. What is our share in this situation ? Both as consumers and citizens, we contribute to validating actual politics, or making them evolve. Yet vegetal diversity has become a secondary issue, and little effort is put in protecting it.


This is certainly the statement that defined my personal position. When implementing structural projects, there is a need to address moral issues, so that projects can be relayed in the civil society. When I was talking about my topic, I could realize this necessary social debate does not exist.


This conception only came when I started organizing workshops. Considering more personal topics led me to discuss not only with experts, but also consumers, gardeners, local farmers or children. I believe this made my idea much clearer about what could revive people’s interest for plants.


I decided to split my project in two parts, each aiming to promote plants in a different context. At home, I investigate how pits from food can be germinated rather than trashed away; I then consider uncontrolled plants in public spaces, aiming to legitimate their presence.


We consider seeds in the best case as a kind metaphor to express life, most of the time as disposable trash. In other civilizations they are a primordial means of subsistence and the core of a cultural heritage.


I want to highlight the link between plants and food, so that this hidden value can be revealed. Pits are a great medium to do so, and germinating them is rather easy – many kids like to do so. I had to make it a fascinating and complete experience, therefore to invite the user to replant the sprout outside.


The final object is a tiny, glass-made seed saver, that requires careful handling. The seed can germinate in the bulb yet cannot escape, unless the object is planted in the ground. In this case the glass will act as a miniature greenhouse, a rainwater collector and a protection against slugs.


It is as much important to be clear about what will happen to plants that grow, especially in urban environments. Some grow in unexpected places, breaking through asphalt;


others that were planted grow more than desired, breaking tiles around them.


I want to have these accepted as part of the landscape.


Focusing on standard elements, I created a set of tiles that encloses a newly planted tree, and progressively breaks as more space is needed.


People can plant seeds in this tile, and protect them with the seal. As they grow, plants will be able to push through looking for light, just as they do when growing in between tiles.


Due to the lack of empty spaces that can be colonized, biodiversity in newly built neighbourhoods tends to decrease. I propose to include necessary niches within building materials. These bricks, by being set among normal ones, generate reliefs that can support climbing plants and birds nests.


Of course the interest of these projects does not lay so much in the seed that will be saved, or the tree that will grow, but in the experience that is being lived.
They are in fine a way to address the broader picture, as I said before the lack of consideration for vegetal diversity. This is to be seen as a campaign for the cause, rather than a specific initiative.
Yet many issues still need to be taken care of on a more focused level. I wish establishing a new state of mind can be used as a platform for future projects to be implemented. As a fertile ground for seeds to grow.


Thank you

Dear everyone, here is a quick summary of my process and interests in my project.

To keep a long story short, I started last year inspired by institutional seed banks, as the one – adequately nicknamed doomsday vault – in Norway. I quickly had a critical view upon that, since it seemed that diversity would be much better preserved by utilizing rather than capitalizing seeds – and it would allow to give people who use traditional techniques a place in the frame.
Soon enough I started reading Vandana Shiva’s books, and learnt a great deal about biopiracy. I developed small projects around that topic, and in the same time started considering the broader picture : consumption, organic seed certification, logging & agroforestry, monocropping, intellectual property rights & terminated seeds… there’s a lot to say about agriculture-related struggles.
I must admit I quite lost myself being overwhelmed by theoretical information, and started working far beyond the limits of my own grasp. I sinned by enthusiasm, in a way. I recently had the feeling of something missing in my process, and realized that all the great designs I assigned myself were succesfully being achieved by people more apt than me. I had to reflect more about my possible input as a designer, and decided to take a few steps back and work on public sensitization, as a way to support both local and global initiatives through supporting the cause – addressing the lower common denominator. My position is now more oriented towards bringing recognition than design solutions – I had as an initial statement that people involved in a struggle know how to cope with it better than anyone else, regardless of their social or financial situation. I do stick to that belief.
I am therefore trying to design objects that raise a certain awareness, provide excitement and invite to get involved on both personal and social levels. Designing the spark, one of my teachers adequately said. I started developing ideas that combine together, considering all of the pedagogic tools I could make use of to reach my aim ; I started considering a range of object, some would trigger, other would inform, while the last would provide tools to get involved.
I am finally focusing on one of these approaches, a flower pot that allows people to save seeds from the food and germinate them. Part of the object is a shovel. I consider this a way to initiate new behaviors, as people have to go out and plant the germinated seeds if they want to use the totality of the props. So I am investigating how I can, through design, accompany the subsequent activities ; mainly, focusing on creating a scenario that would allow people to plant weeds in public spaces, and in the same time to exchange seeds, plants and opinions.

I am at this stage trying to develop this latest idea, and in the same time writing my thesis. You can click on the links to see both updates.

I hope you have been interested in reading this, and I wish you can give me constructive feedback. So please feel free to make any kind of comments !

Thanks

Regis

Dear all, I created a short survey to get reactions about how people rely on labels. Feel free to give it a try, it is only 5 questions.

Thank you,

Regis

Last major updates on the website :

wedenesday october 30, 2007 : first thesis presentation (@presentations). to be read first !

thursday november 14, 2007 : first formal thesis proposal (@presentations & abstracts)

saturday december 1, 2007 : focus, and relationships between selected projects. (@home)

tuesday january 15, 2008 : new project presentation on the weblog, right here.

wednesday january 23, 2008 : new project presentation on the weblog, right here.

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DISCLAMER : I do not pretend to be right on every point I mention. It is even likely that you disagree with it. If so, please feel very welcome to post comments and/or contact me.

Thank you,

Régis
lemberthe@inbox.com

I recently came to read GRAIN’s briefing about the troubles linked to organic seed certification that is being implemented in most european countries under the lobbying of major seed suppliers. This seemed to be quite an important issue, furthermore related to an activity that is originally dedicated to preserve vegetal diversity.

To briefly summarize the issue :
organic farmers have to meet some standard requirements to get certified as such – mostly about production processes, and since recently seed sourcing. It is, indeed, necessary that the seeds themselves come from an organic production. That seems logical, will you say quite rightfully.

The trouble is that such seeds do need to be proved organic, therefore certified. Most seeds aren’t.
As a consequence, few varieties can truly be cultivated under the organic certification, thus creating a gap between the ideals of organic agriculture – preserving diversity – and the poor range of material available.
Of course there can be derogations, in case a seed can’t be found in the official catalogue, but they are becoming increasingly difficult to obtain; and even though, such a legislation outlaws seed saving and exchange amongst farmers, creating a relationship of dependancy to certified suppliers.
Finally, such norms tend to export to South countries, especially since most organic products come from such places. Yet they don’t take into account local context, in which financial limitations – debts – and technical differences – a seed that is practical in Europe will be inefficient in many other places.

This problematic must lead to the development of alternative labels, that put an emphasis on social development rather than on seed documentation. Production under these licenses won’t obviously be put under the same banner than certified organic agriculture, even though it will be of higher environmental and social quality.

Yet such a development of alternative labels should not happen without taking the time of a true reflection on the value we want to give to all the labels we come to encounter. What makes me trust this, or this certification ? Alternative labels should be based on confidence, and on a true understanding of the actual values it promotes, This is what I believe.

I will, during the next stages of my research, try to challenge this too simple view on certification I believe most consumers adopt. I will lead tests dedicated to understand the latter’s opinion and base my work on the results.

I want to develop as an outcome such an alternative label, along with all the visual and physical material that will be necessary to implement it – communication, packaging, store concept and all that helps promoting the values of the label.
As a step towards this end, I want to use my research to generate a toolkit, for local communities to develop their own confidence-based label. This is, I believe, something that I will use myself.

Finally, I need to explain an aspect that interests me to consider as part of that project : I want to, throughout the label identity, transmit information about the seeds that are required to bring the ingredients on the table. I will therefore research on ways to get information about seed genealogy transmitted to the consumer. In parallel, I would like to study the genealogy of a specific plant as a case study. I recently heard that carrot became orange in the Netherlands; well I’m on the spot, so why not carrot ?

I consider that the main threats to diversity are monocropping, which impoverish our patrimony, and Patents on Vegetal Varieties that lead to Biopiracy.

Genetic diversity regenerates ecosystems and avoids pandemic fleas.
For this it must be utilized, not capitalized.
Global seed banks, as the Seed Vault in Spitzberg, are institutions that save seeds in order to face extinction. But this is no answer to global monocropping.
Challenging the current demand for agricultural products, nowadays more homogenous than ever before, is a condition sine qua non to stimulate the exploitation of forgotten varieties.
Knowledge diversity preserves populations integrity and empowers communities.
For this it must be free to use.
When a knowledge is transmitted orally, there is no legal proof of its existence. It can then be patented by outsiders, therefore depriving the real inventors from their rights, even this of using their invention. This is biopiracy.
The first step to answer this trouble lies in considering social diversity as a part of natural diversity. Protecting one is protecting the other.

This topic relates to both natural and social sciences. I believe that my position as a designer is ideal to conciliate both fields of application. Not being an expert in these fields helps finding connexions between them.
As such, I decided to keep working on two projects that I believe will combine to each other.

  • BIOPIRACY : protecting traditional knowledge and plants from illegitimate exploitation.
  • INDIVIDUAL CREATIVITY : inviting consumers to integrate more diversity in their consuming habits.

I will now explain each of them in greater detail.

Publishing cultural heritage generates a “Prior Act”. This protects the real inventors from biopiracy. It requires to use adequate channels of disclosure. This is an activity that is already being done, and I want to explore how to bring it closer to the consumer.
Publishing a knowledge doesn’t necessarily have to remain in the legal field. It is a good occasion to inform the rest of the world.
Promoting can be protective.

“If this is your country, where are your stories ?”, a tribe chef once said the colons.
Now the whole world is our country. And we still don’t know the stories.
As a first step, I considered bringing the story in shops, along with the product. I am also considering different opportunities to make this link a two-way relationship.

The tourist, while traveling, carries information; one comes back from a new place with new stories, willing to tell about them. It is interesting to consider tourists as mediums to make the link more personal. The postcard, as a ritual item, could carry the information, not only text but also more tangible items.
Thus, turning the tourist from a potential threat (disclosing information too widely and informatively) into a resource (relaying a formal disclosure).

Information spreads efficiently through new networks : the internet, podcasts, youtube videos… The wikipatent groups acts as a database for prior acts. But it cannot always be reached. I am considering how these platforms can help relay the information.

prior storypostcards-picture.jpg